To me, Annie Dillard addresses the same principle of total apocalypses
and the end of the world, yet her tone and mood throughout the essay were
completely debatable., in "Lenses", Dillard narrates how she used to
enjoy "setting up" several "apocalypses" with the living
creatures she retrieves from a pond . She clearly states that she would stage
“hundreds” “ends-of-the-world” and observe “enthralled” as the organisms start
roasting (106). This completely defeats the purpose of her earlier essay, due
to the fact that it seems that she is in favor of the world’s destruction. She
actually enjoys the mass murder of many creatures that are defenseless to
humans. Why would she change her mind all of a sudden? Is she trying to provide
us with both sides of the argument? This may be a sort of allegory for the
effect of science: how too much scientific investigation can destroy what you
are investigating". I really liked your statement here; in some it
supports my opinion on the essay. For instance, if it is an allegory of how too
much science may destroy the investigation, we could compare it to how too much
science may deteriorate our planet (I have never been so environmentalist
before). The constant growth of human technologies and experiments could be industrializing
the Earth, replacing its nature with machines, destroying the wild life we do
experiments on. A possible analogy could be how scientists study the
rainforests around the globe, yet the jet fuel they use to travel is slowly
ravaging the air and damaging their source of investigation. It actually seems
as if Dillard plays the image of scientists and humans who are destroying the natural
beauty on our planet while being fascinated by the sight of it . She casts the
image that those who harm the Earth’s nature do it for the fun of it. However,
I still can’t fit the swans into my analysis.
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